Here are the thumbnails I did for the dialogue scenes.
"Crazy - Take 1"
"Crazy - Take 2"
I'd like to get some good acting in these, but I don't want to make the scene too busy like the last one. I had too much going on that it seemed cluttered. One of the things people kept commenting on were that there were not enought "moving holds" poses. There were not enough pauses between the actions for them to register that the character was thinking.
I'm still undecided as to which take to use. "Castings" seems simple enough. I think I can have a lot of fun with either take of "Crazy" and "Something". The only thing with those three is that there will need to be a set or some type of visual gag.
In "Crazy - Take 1", the character is in a room sitting at a table. I can make a room and a table. What I would like behind him is a door with a frosted window. On the window would be the words "MENTAL WARD", but on the outside.
For the first take of "Crazy - Take 2", I see the character in a padded cell or jail cell. The camera is outside looking in through the bars. As he walks to camera, the grabs the bars and shakes a bit. I was originally thinking of having the camera looking through a door with a small window and bars. I did one take where I had my arms wrapped around me like I was in a straight-jacket. I thought that would be pretty cool, but all the acting would have to have been with the eyes and body gestures. It left out the arms entirely.
There has to be a visual sight gag with "Something." He is standing out in the woods with tall trees behind him. He could either be standing or pacing inside of a giant footrpint. Or he could be in a medium shot with a huge Bigfoot standing right behind him. That one would be great but I don't know if I can create a Bigfoot character. I will also have to look into how to make an indention on a surface plane if I want to make a footprint.
I'll draw up some sketches and see what I can come up with.